email sonia.keogh@skulptor.com
central otago
, new zealand
            tel +64 3 448 6330
           

  Sonia Keogh

 

                

 

                                                                                     

 

 

The search for a special birthday present in July 2002 led me to sculpt Anastasia, my very first piece. My arrival as a serious artist came one year later when I was named a touring finalist in the prestigious Wallace Art Awards. Prior to entering, none of my pieces had been shown publicly.

Months later I held my first solo exhibition and have since exhibited works in the Cleveland Art Awards and the CoCA/Anthony Harper Award for Contemporary Art. In September 2005 I was thrilled to win the Central Otago Art Society-SBS Art Award.

Telling human stories with empathy and homour is both challenging and rewarding. My characters are playful, provocative and have an emotional energy. I channel my own emotions into the faces of my sculptures until their eyes come alive, then the piece takes on a life of it's own.

Sculpting with polymer clay has its challenges, but is ultimately a forgiving medium which bends to my perfectionism. This is an intuitive process, taking countless hours. Needless to say, I become deeply connected to each piece.

I hope my pieces reflect the struggle to adapt to change and explore our need to communicate and connect.

artist statement                                                                   

The human form and all its nuances holds an endless source of inspiration for me.  I'm fascinated by our innate ability to interpret facial expression and body language and our struggle to adapt to change.

Through intricate detailing, I look to breathe life into my characters, to produce a sense of identity, familiarity and vulnerability. My work tackles universal themes such as solitude, temptation, acceptance, transformation and the desire to connect.

Polymer Clay enables me to merge realism and fantasy, to develop a sense of irony by manipulating the natural order of things. By introducing a physical element to a piece, for example a cell phone or crucifix, we may examine how technology, social and spiritual issues intrude on our inner hopes and fears, and humanity as a whole.

Such interpretation draws on our intimate knowledge of human behaviour, spatial awareness, personal beliefs and experiences. By developing my sculptures to provoke questions, I hope we can make discoveries about ourselves.